Rachel Berry (![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
somethingspecial) wrote2011-07-08 10:13 pm
somethingspecial) wrote2011-07-08 10:13 pm
Entry tags:
- bringing the music to adstringendum,
- broadway references are the best,
- caution: emotions run high,
- i don't own emotion i rent,
- i have been changed for good,
- kurt: my only competition,
- my heart is too big for this,
- panic at the solve,
- professionalism at its best,
- the show must go on,
- this place is fucked up
32 [Voice]
[There is the faintest tinkling of piano through the feed, forming the beginning of the finale to one of the best Broadway musicals of all time -- well, if you ask her anyway. A well-trained ear will be able to hear uneven breathing, very faintly -- but it stops, soon enough, as Rschel begins to sing.]
I'm limited...
[The quickest inhale of breath, as Rachel forces herself to speak the lines that melt in between the beautiful melodies of the song.]
Just look at me -- I'm limited...and just look at you, you can do all I couldn't do...Glinda...so now it's up to you... For the both of us. Now it's up to you...
[There is the slightest hitch of breath, as Rachel continues to play -- the moment of hesitation quickly being glossed over as Rachel begins to sing Glinda's role.]
I've heard it said that people come into our lives for a reason...bringing something we must learn and we are led to those that help us most to grow -- if we let them... and we help them in return...well, I don't know if I believe that's true -- but I know I'm who I am today, because I knew you...like a comet pulled from orbit as it passes a sun... like a stream that meets a boulder halfway through the wood... who can say if I've been changed for the better? But because I knew you... I have been changed for good...
[The piano playing becomes more emphatic, stronger, more passionate, and when Rachel sings the next piece of the song, there is something very different about her voice. It is stronger, passionate -- it is the perfect fit -- because Rachel has reached Elphaba's piece of the famous duet and this is the role that she belongs in.]
It may well be that we will never meet again in this lifetime... so let me say before we part -- so much of me is made from what I learned from you -- you'll be with me, like a handprint on my heart -- and now whatever way our stories end -- I know that you have re-written mine by being my friend --
[Her voice chokes, ever so slightly, at the tail-end of the last note -- but Rachel is a professional and she sings through it bravely, not skipping a beat, despite her error.]
Like a ship that's blown from mooring by a wind off the sea -- like a seed dropped by a skybird in a distant wood -- who can say if I've been changed for the better? But because I knew you, I have been changed for good --
[A brief silence, as Rachel plays, before she delivers the next words with such emotion and heartbreak that it's almost entirely believable that she's singing on stage in front of a sold out crowd in the Gerswhin.]
And just to clear the air, I ask forgiveness for the things I've done you blame me for -- [the slightest pause, as Rachel switches roles seamlessly] -- but then I guess we know that there's blame to share -- and none of it seems to matter anymore -- !
[And her voice swells, as Rachel carries the note while playing the piano to keep up, before she sticks solely to Elphaba's role. There are numerous glitches -- singing that passionately while trying not to burst into tears is difficult, to say the least, but Rachel doesn't seem to care. Her perfectionism is lost in the moment, and she tries her best to continue with the song.]
Like a ship blown from it's mooring by a wind of the sea! Like a seed dropped by a skybird from in a distant wood! Who can say if I've been changed for the better -- ?
[And, suddenly, Rachel's voice softens, and so does the piano, into a quiet admission.]
... I do believe I have been changed for the better. And because I knew you... because I knew you... because I -- knew you... I have been changed...
[The final notes of the piece follow the last dying notes of the song as Rachel whispers the final two words.]
For good.
[There is a long silence, and it may almost appear that Rachel Berry has hung up on Adstringendum -- or that the recording was an accident -- before she continues quietly.]
Kurt Hummel has left Adstringendum.
[And the feed ends after that.]
I'm limited...
[The quickest inhale of breath, as Rachel forces herself to speak the lines that melt in between the beautiful melodies of the song.]
Just look at me -- I'm limited...and just look at you, you can do all I couldn't do...Glinda...so now it's up to you... For the both of us. Now it's up to you...
[There is the slightest hitch of breath, as Rachel continues to play -- the moment of hesitation quickly being glossed over as Rachel begins to sing Glinda's role.]
I've heard it said that people come into our lives for a reason...bringing something we must learn and we are led to those that help us most to grow -- if we let them... and we help them in return...well, I don't know if I believe that's true -- but I know I'm who I am today, because I knew you...like a comet pulled from orbit as it passes a sun... like a stream that meets a boulder halfway through the wood... who can say if I've been changed for the better? But because I knew you... I have been changed for good...
[The piano playing becomes more emphatic, stronger, more passionate, and when Rachel sings the next piece of the song, there is something very different about her voice. It is stronger, passionate -- it is the perfect fit -- because Rachel has reached Elphaba's piece of the famous duet and this is the role that she belongs in.]
It may well be that we will never meet again in this lifetime... so let me say before we part -- so much of me is made from what I learned from you -- you'll be with me, like a handprint on my heart -- and now whatever way our stories end -- I know that you have re-written mine by being my friend --
[Her voice chokes, ever so slightly, at the tail-end of the last note -- but Rachel is a professional and she sings through it bravely, not skipping a beat, despite her error.]
Like a ship that's blown from mooring by a wind off the sea -- like a seed dropped by a skybird in a distant wood -- who can say if I've been changed for the better? But because I knew you, I have been changed for good --
[A brief silence, as Rachel plays, before she delivers the next words with such emotion and heartbreak that it's almost entirely believable that she's singing on stage in front of a sold out crowd in the Gerswhin.]
And just to clear the air, I ask forgiveness for the things I've done you blame me for -- [the slightest pause, as Rachel switches roles seamlessly] -- but then I guess we know that there's blame to share -- and none of it seems to matter anymore -- !
[And her voice swells, as Rachel carries the note while playing the piano to keep up, before she sticks solely to Elphaba's role. There are numerous glitches -- singing that passionately while trying not to burst into tears is difficult, to say the least, but Rachel doesn't seem to care. Her perfectionism is lost in the moment, and she tries her best to continue with the song.]
Like a ship blown from it's mooring by a wind of the sea! Like a seed dropped by a skybird from in a distant wood! Who can say if I've been changed for the better -- ?
[And, suddenly, Rachel's voice softens, and so does the piano, into a quiet admission.]
... I do believe I have been changed for the better. And because I knew you... because I knew you... because I -- knew you... I have been changed...
[The final notes of the piece follow the last dying notes of the song as Rachel whispers the final two words.]
For good.
[There is a long silence, and it may almost appear that Rachel Berry has hung up on Adstringendum -- or that the recording was an accident -- before she continues quietly.]
Kurt Hummel has left Adstringendum.
[And the feed ends after that.]
SOBBING BLAINERS
But something inside Rachel causes her to lift her head, and smile through her tears, even though it is quite obvious that this is killing her.]
I was going to sing every song I have ever sung with him today. It is quite the long list -- you should come join me.
HE IS A WRECK RIGHT NOW
[Blaine glances up but quickly looks back down. Seeing Rachel with tears in her eyes like this will only make him cry.]
...where are you? The Casino?
[Because that was the only place he knew of with a piano...and it was also the location of his and Kurt's first official date.]
;_;
Yes. I will wait for you here.
Re: ;_;
...I'll be there soon.
[He's already out, so it won't take him long to get there.]
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[He makes his way toward the piano silently, letting the music wash over him. It isn't until the song is over when he speaks.]
Hey Rachel.
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I miss him already.
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[He sits down next to her and listens to the beginning of the song before she stops playing it. He doesn't move for a few seconds, but his hands seem to make a decision and he places them on the keys of the piano.]
[The introduction to "Baby, It's Cold Outside" starts to play.]
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Christmas. It had made that time of year a little brighter, even without Finn.
She sings, softly, to herself:]
I really can't stay --
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[He sings the next line, but he lacks the enthusiasm he did the first time he sang it with Kurt. His voice cracks slightly as he begins the line, but he tries to correct it as he sings the rest.]
But baby it's cold outside--
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Besides, Kurt would never forgive her if she didn't help Blaine get through this, first and foremost.]
I've got to go away ---
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[For the moment, he's holding in his sobs.]
B-Baby it's cold outside...
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This evening has been -- so very nice --