Rachel Berry (
somethingspecial) wrote2011-12-25 12:51 am
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Entry tags:
- and we need a little christmas,
- bringing the music to adstringendum,
- can't read my poker face,
- i don't own emotion i rent,
- i have been changed for good,
- let's sing about our feelings,
- missing the people who leave us,
- music is the universal language,
- my heart is too big for this,
- raphael: my other guardian angel,
- smile though your heart is breaking,
- the show must go on,
- total ecplise of the heart
49 [Video] After Raphael's death.
[Text Sent To Network ; Attachment: Oh Holy Night]
[It's snowing. And Rachel is outside, clad in a green dress, with a red long jacket over it, complete with a green beret, readying a microphone outside of the theatre. It appears she's connected it to a speaker, which is connected to the sound system inside the theatre -- and the PCD is position directly on her, as Rachel wraps her hands around the microphone, to take a deep breath. It resonates, through the speaker, and through the network.]
It is now Christmas.
[It's quiet, and her voice echoes as she speaks into the microphone.]
I don't personally celebrate it, but as most of the individuals within the city are most familiar with the commercialized version of the holiday, I thought I would offer something of a prayer in song concerning what the holiday is supposed to be about -- so... I hope you enjoy it. And I sent a text message to all of you, with the lyrics, should you want to sing along. I would not mind the accompaniment.
[And Rachel turns slightly to press a button on a boombox that is situated on top of the speaker. There is a silence before the instrumental of the famous song begins to play, scratchy at first, before it becomes clear -- and then, Rachel takes another deep breath before she begins to sing.]
O Holy Night...the stars are brightly shining...! It is the night of our dear Saviour's birth. Long lay the world in sin and error pining, 'till He appeared and the soul felt its worth...A thrill of hope the weary world rejoices, for yonder breaks a new and glorious morn --
[Rachel offers the tiniest of nervous smiles before she closes her eyes, her voice suddenly escalating with a sudden power and, more importantly, strength as she held onto the microphone tightly, allowing her emotion and her ability carry her through the more powerful and emotional portion of the ballad.]
Fall on your knees! Oh, hear the angel voices! O night divine, the night when Christ was born -- O night divine! O night, O night divine!
[The instrumental backup begins to sing quietly behind her, and Rachel falls silent for a moment or two, and while her eyes remain closed, her smile is back, and she sings with a powerful amount of <i>love</i> as she allows the music to carry her through to the next verse.]
Truly He taught us to love one another... His law is love and His gospel is peace. Chains shall He break, for the slave is our brother. And in His name all oppression shall cease! Sweet hymns of joy in grateful chorus raise we, with all our hearts we praise His holy name!
[And her eyes open as she lets go of the microphone, to sing with a newfound determination and conviction, to stare directly into the PCD, singing each and every last syllable with a particular amount of faith and strength and love -- ]
Fall on your knees! Oh, hear the angel voices! O night divine, the night when Christ was born... O night! -- divine!
[And at that note, Rachel snaps her eyes abruptly shut to focus, drawing it out to just the perfect amount before her voice dips back into a soft, sweet soprano, before she opens her eyes slightly, cheeks wet with tears, her hands clutching the microphone stand tightly enough that her knuckles are white.]
O night, O night divine! Oh, O night divine!
[And, when the song is finished, she is quiet for a long moment before closing her eyes again, mouthing something silently to herself, before she murmurs a quiet 'thank you' and the feed shuts off with a slight tug of something -- a string, from Rachel's hand, and something lands on the button controlling the feed, shutting it off to the public.]
[Filtered to the angels // Private // Unhackable]
[She is still outside, snow settling on her shoulders, but the microphone is off, and Rachel is breathing evenly.]
I am in possession of Raphael's sword.
I will not be giving it back, under any and all circumstances, to anyone but her.
Please make no attempt to take it from me or I will do something about it.
[She is, oddly, completely and utterly serious.]
[It's snowing. And Rachel is outside, clad in a green dress, with a red long jacket over it, complete with a green beret, readying a microphone outside of the theatre. It appears she's connected it to a speaker, which is connected to the sound system inside the theatre -- and the PCD is position directly on her, as Rachel wraps her hands around the microphone, to take a deep breath. It resonates, through the speaker, and through the network.]
It is now Christmas.
[It's quiet, and her voice echoes as she speaks into the microphone.]
I don't personally celebrate it, but as most of the individuals within the city are most familiar with the commercialized version of the holiday, I thought I would offer something of a prayer in song concerning what the holiday is supposed to be about -- so... I hope you enjoy it. And I sent a text message to all of you, with the lyrics, should you want to sing along. I would not mind the accompaniment.
[And Rachel turns slightly to press a button on a boombox that is situated on top of the speaker. There is a silence before the instrumental of the famous song begins to play, scratchy at first, before it becomes clear -- and then, Rachel takes another deep breath before she begins to sing.]
O Holy Night...the stars are brightly shining...! It is the night of our dear Saviour's birth. Long lay the world in sin and error pining, 'till He appeared and the soul felt its worth...A thrill of hope the weary world rejoices, for yonder breaks a new and glorious morn --
[Rachel offers the tiniest of nervous smiles before she closes her eyes, her voice suddenly escalating with a sudden power and, more importantly, strength as she held onto the microphone tightly, allowing her emotion and her ability carry her through the more powerful and emotional portion of the ballad.]
Fall on your knees! Oh, hear the angel voices! O night divine, the night when Christ was born -- O night divine! O night, O night divine!
[The instrumental backup begins to sing quietly behind her, and Rachel falls silent for a moment or two, and while her eyes remain closed, her smile is back, and she sings with a powerful amount of <i>love</i> as she allows the music to carry her through to the next verse.]
Truly He taught us to love one another... His law is love and His gospel is peace. Chains shall He break, for the slave is our brother. And in His name all oppression shall cease! Sweet hymns of joy in grateful chorus raise we, with all our hearts we praise His holy name!
[And her eyes open as she lets go of the microphone, to sing with a newfound determination and conviction, to stare directly into the PCD, singing each and every last syllable with a particular amount of faith and strength and love -- ]
Fall on your knees! Oh, hear the angel voices! O night divine, the night when Christ was born... O night! -- divine!
[And at that note, Rachel snaps her eyes abruptly shut to focus, drawing it out to just the perfect amount before her voice dips back into a soft, sweet soprano, before she opens her eyes slightly, cheeks wet with tears, her hands clutching the microphone stand tightly enough that her knuckles are white.]
O night, O night divine! Oh, O night divine!
[And, when the song is finished, she is quiet for a long moment before closing her eyes again, mouthing something silently to herself, before she murmurs a quiet 'thank you' and the feed shuts off with a slight tug of something -- a string, from Rachel's hand, and something lands on the button controlling the feed, shutting it off to the public.]
[Filtered to the angels // Private // Unhackable]
[She is still outside, snow settling on her shoulders, but the microphone is off, and Rachel is breathing evenly.]
I am in possession of Raphael's sword.
I will not be giving it back, under any and all circumstances, to anyone but her.
Please make no attempt to take it from me or I will do something about it.
[She is, oddly, completely and utterly serious.]
Filter;
Filter;
I have to make her a cake.
Filter;
Good plan. [LOOK, HE IS TRYING TO BE GENTLE HERE.]
Filter;
I made Anna one and Castiel one when they came back to life.
It's something of an extraordinarily morbid tradition, as none of you can manage to keep yourselves alive.
[Pause.]
-- baking is one of my varied talents, though they're vegan, so I'm not entirely sure whether or not you'd enjoy one.
[She'll make you one just 'cause you're being nice. 8(]
Filter;
I'm a vegetarian with a sweet tooth.
I'd love one.
Filter;
I thought angels didn't need to eat.
Why are you a vegetarian?
Filter;
Filter;
[Curiosity killed the cat, but Rachel doesn't give a fuck, she wants to know. 8|]
Filter;
Filter;
Watching someone eat steak is disgusting.
Filter;
Filter;
You name cows, too?
[Gabriel, how the fuck are you an angel, seriously.]
Filter;
Oh yeah. All the time. One of those strawberry cows out there's a close personal friend of mine and everything.
Filter;
We have a cow named Marge -- not at home, here. Obviously. I live in middle-class mostly-white suburbia in Ohio.
[:T]
assuming this is the angel filter...if not i'll delete :D
it is!
I am.
no subject
Also, he kind of hates that he really approves of your lifestyle, Rachel. Go suck a dick you're supposed to be annoying.]
...would you do a trade? Your skills for extra [oh, what can he offer] supplies?
no subject
[Somewhat incredulously, somewhat annoyed. Who do you think she is, mister. 8|
...She may be convinced if Castiel goes with her. 8|]
no subject
Bring one of my other brothers until she gets back. Gabriel seems to like you. Or leave it on the doorstep. There's no reason we have to see each other.
no subject
Go find a cookbook like the rest of us. I'm certain they taught you how to read in Heaven.
no subject
I thought, if he could be convinced the become vegan, he'd stop killing infant animals and their parents. [A shrug] But you're right. Spiting me is more important than teaching a man he doesn't need to slit the throats of unicorns or fawns or whatever else he eats to survive.
no subject
If he wishes to eat animals, then that is his choice.
You cannot force someone to be someone they aren't.
no subject
no subject
I said no, Lucifer.
No amount of whining will get me to tell you yes.
[She will help Break should Break ask. But she refuses to give Lucifer an ounce of kindness. Not after what he's said.]
no subject
And he smiles, so kindly at her, as he decides he's going to break both her femurs the next time he sees her.]
You're right.
[Also, all the bloody scraps from Break's hunts are going to be gleefully displayed on her porch.
But for now he just cuts the feed.]