Rachel Berry (
somethingspecial) wrote2011-05-09 12:22 pm
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Entry tags:
- !event: theme music,
- bringing the music to adstringendum,
- caution: emotions run high,
- co-captain of the glee club,
- damn soulless automatons,
- finn: the only exception,
- it's lonely at the top,
- let's sing about our feelings,
- my heart is too big for this,
- practice makes perfect,
- professionalism at its best,
- there's nothing ironic about show choir
24 [Accidental Video]
[Rachel is on stage, pacing in agitation. She looks positively exhausted -- there are circles underneath her eyes and her hair is pulled back instead of hanging loose around her shoulders, like it normally is. The music following her is quiet, at least -- but soon, drums are heard -- a guitar, and Rachel stops in her tracks, in the dead center of the stage, before she closes her eyes.
And finally decides to give into the event and sing.
She does the choreography perfectly -- the voices heard alongside hers are exactly as Rachel remembers them -- the music is perfect -- and the event purposefully leaves out Rachel's voice, in the 'recording', so that she can sing along. When she gets to the end, she's grinning, and she stops on the edge of the stage, a hand outstretched to the audience, before she begins to speak:]
If we sing that every single week before Nationals, it would help our morale enormously -- because the most important thing, fellow Glee club-bers, is that we remember precisely where we came from. That is our true strength --
[She clasps her hands together.]
I really think we have a shot at beating Vocal Adrenaline, but Finn, you need to project mo --
[But as Rachel looks up, to her right, she stops speaking abruptly. Because there isn't anyone there.
Her shoulders slump slightly as she presses a hand to her forehead, sighing to herself shakily as she turns back towards the curtains.
Someone hates this event way more than she thought she would.]
And finally decides to give into the event and sing.
She does the choreography perfectly -- the voices heard alongside hers are exactly as Rachel remembers them -- the music is perfect -- and the event purposefully leaves out Rachel's voice, in the 'recording', so that she can sing along. When she gets to the end, she's grinning, and she stops on the edge of the stage, a hand outstretched to the audience, before she begins to speak:]
If we sing that every single week before Nationals, it would help our morale enormously -- because the most important thing, fellow Glee club-bers, is that we remember precisely where we came from. That is our true strength --
[She clasps her hands together.]
I really think we have a shot at beating Vocal Adrenaline, but Finn, you need to project mo --
[But as Rachel looks up, to her right, she stops speaking abruptly. Because there isn't anyone there.
Her shoulders slump slightly as she presses a hand to her forehead, sighing to herself shakily as she turns back towards the curtains.
Someone hates this event way more than she thought she would.]
offline;
You're all I've ever wanted,
And my arms are open wide -]
I thought so myself - I wonder how they're doing it, seeing we never had ourselves recorded for those songs.
offline;
We should have, we sound excellent.
[Soon, though, Rachel massages her forehead again, and her own music is far softer, but there's the distinct sound of piano -- the opening of Don't Stop Believing -- ]
I think this is going to drive me insane -- literally insane. I have not slept properly since this event began and I get up at six every day to exercise and I can't go longer than a day without it or I get stiff and I could pull something --
[lkhfklf]
offline;
And you can't practice anything except the song they choose to follow you around, and I did practice this song - fourteen times. But eventually you want to try other songs and you can't because every time you sing, the music turns louder -
offline;
[Which is particularly painful. But Rachel pauses and laughs to herself again.]
I did manage to listen to Queen earlier.
[... when she was yelling at Edward. The bassline for 'Another One Bites The Dust' is very threatening.]
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For however rude it was, your rendition of Another One Bites The Dust is particularly effective background music when I'm angry with someone. I think it's the --
[And, right on cue, Rachel's music shifts to the familiar thumping introduction of the song. She winces to herself -- this was obnoxious.]
... bass line.
offline;
Well I admit I was upset when singing that song -
offline;
[She's quiet, for a moment, to focus on something else. The bass line fades away to piano -- back to a muted Don't Stop Believing, which causes Rachel to sigh to herself.]
I think this is my default track or something.
offline;
Who got you angry enough tow warrant Another One Bites the Dust?
offline;
[Just so -- he's clear on that. The song is synonymous with New Directions -- with the group of five kids who honestly just needed a place to belong -- and that moment, on stage with those four other people, is one of the best memories Rachel has of them. Hearing the song hurts for a plethora of other reasons -- but it helps, for many more.
But Rachel frowns at the question and sighs.]
I got into a very large fight with Edward culminating in me not going back to Solve tonight. I didn't think that one through. [She moves her eyes to the ceiling.] I didn't know what else to say to get the argument to stop.
offline;
Where will you stay? What did you fight about?
offline;
[She could go to the clinic, she guesses -- and she knows for a fact that Arthur will always make room for her, if she needs a place to stay. And she is really, really, really not asking Enjolras. Because... no.]
And... a lot of things. I'm selfish and stupid and I obviously don't know what I'm talking about and --
[She pushes herself off the stage to land on her feet in the orchestra pit, throwing up a hand in aggravation.]
-- and telling Rachel Berry to shut up earns you a one-way ticket to Another One Bites The Dust, apparently --
offline;
You could stay with me [he raises a hand before she could even say it] in an entirely respectable way, we could not-sleep together, seeing the music won't really allow it, we could talk or to sing whatever song this place sends in our way.
offline;
But Jesse already has that covered and Rachel looks slightly relieved, because -- she so doesn't want to deal with that topic. She turns back to the stage with a frown.]
... I guess so, but -- I don't want to impose on anyone or --
[Make the entire situation worse. She puts her arms on the stage to rest her chin on them, huffing slightly in annoyance.]
It wouldn't matter what I said or did, it would never be enough to make it better. Because I tried to make it easier, but that means I'm pitying him, but if I hadn't tried, it would have made me a heartless --
[And Rachel casts about for a word -- and she finds one, but she pauses for a second or two, before uttering, in quite possibly the most tentative tone ever -- ]
-- well, bitch.
[... Rachel cannot curse and come off sounding threatening. It turns out to be a miserable failure.]
offline;
You're not a bitch, Rachel, you're anything but. You can't always win with some people, but at the long run, you don't need to win with everyone either. I know you care about everyone and that they're your friends but you've been in this - [now he looks like it's hurting him to say] funk for days now. You need to put it behind you.
offline;
... I know I do.
[She draws a design in the lingering dust on the stage for a moment, frowning to herself.]
I just don't know how.
offline;
He lived up to his soulless automaton reputation. Which is something that Rachel couldn't do, of course.
It took him a few seconds to realize the soft piano notes of Hello has changed to something else. When he did, he grinned a bit before moving to stand up on the stage. The guitars were a good change, and finally the song selection even fitted. He did have an answer for her after all. He gave her a look before he started to sing:
Don't breathe too deep, don't think all day.
Dive into work, drive the other way.
That drip of hurt, that pint of shame,
Goes away, just play the game - ]
offline;
What are you doing -- ?
[But then he starts to sing and she looks a little puzzled before laughing to herself, leaning forward on the stage to watch him sing.
Right. Of course. RENT.]
offline;
You're living in America,
At the end of the millenium.
You're living in America -
Leave your conscience at the tone.]
offline;
... he interrupts her all the time, Rachel figures it is justifiable just this one time.]
And when you're living in America, at the end of the millennium, you are what you own --
offline;
He was pretty pleased with the fact he somehow wounded up with Roger's part, seeing he two only understood how much he needed a certain girl after being away from her for a year.
The filmmaker cannot see -]
Re: offline;
Rachel, though, keeps up perfectly -- ]
And the songwriter cannot hear --
Re: offline;
But I see Mimi everywhere -
offline;
Angel's voice is in my ear --
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Just tighten those shoulders -
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